Ghanaian singer Gyakie is strengthening her position in Nigeria’s music market with a new collaboration with Port Harcourt duo Ajebo Hustlers, as the artists join forces on their latest single, “365 Days.”
Released on September 11, the Afrobeats record brings together one of Ghana’s increasingly prominent female voices and a Nigerian duo known for blending Afrobeats, highlife influences and street-oriented sounds. The collaboration is already attracting attention as another example of the growing musical exchange between Ghana and Nigeria.
The song is available across major digital streaming platforms, including Apple Music and Spotify, giving the collaboration immediate access to audiences across Africa and the global Afrobeats market.
Gyakie Takes Her Nigerian Run Further.
For Gyakie, “365 Days” is more than another feature. It continues a deliberate expansion of her presence beyond Ghana and into Nigeria, Africa’s largest music market.
The singer has increasingly worked across national boundaries, building connections with Nigerian artists and audiences while maintaining the melodic identity that has helped establish her as one of Ghana’s most recognisable contemporary voices.
Her involvement in “365 Days” also gives the record a clear Ghana-Nigeria identity. Instead of treating the two markets as separate spaces, the collaboration reflects how African artists increasingly use partnerships to move their music between countries.
That strategy is becoming increasingly important as streaming platforms make national borders less relevant to how African music is discovered.
Ajebo Hustlers Bring a Nigerian Perspective.
Ajebo Hustlers have built their reputation around a distinctive combination of rap, singing and street-influenced Afrobeats.
The Port Harcourt duo’s sound has helped them establish a strong Nigerian audience, while their catalogue has also given them visibility beyond the country.
On “365 Days,” that identity meets Gyakie’s smoother vocal approach, creating a collaboration that moves between different musical perspectives without losing its Afrobeats foundation.
The pairing is particularly effective because the artists approach the song from complementary positions. Ajebo Hustlers bring their established Nigerian sound, while Gyakie adds a Ghanaian vocal character that broadens the record’s regional appeal.
‘365 Days’ Turns Relationship Drama Into a Song.
The title points to the central idea behind the record: a relationship defined by a long period without communication.
Rather than presenting a conventional romantic song, the collaboration explores distance, separation and the decision to move forward after a relationship has broken down.
That emotional theme gives the song an accessible entry point for listeners while allowing the three artists to move between different vocal perspectives.
The result is a record that combines relationship storytelling with the rhythmic structure associated with contemporary West African pop.
Ghana and Nigeria Continue to Shape African Pop.
The collaboration also reflects the increasingly fluid relationship between Ghanaian and Nigerian music.
For decades, artists from both countries have influenced one another, but streaming has accelerated that exchange. A song recorded by a Ghanaian artist and Nigerian musicians can now reach audiences across the continent almost immediately without depending entirely on traditional radio or physical distribution.
This has created opportunities for artists to build regional careers before necessarily becoming global stars.
For Ghanaian musicians, Nigeria represents an enormous potential audience. For Nigerian artists, collaborations with Ghanaian acts can provide access to another influential West African music market and strengthen the pan-African character of their music.
Streaming Is Changing the Collaboration Game.
The importance of collaborations such as “365 Days” is also connected to the way African music is now consumed.
Spotify, Apple Music, YouTube and other platforms allow listeners to discover artists based on songs, playlists and recommendations rather than nationality.
That means an artist no longer has to establish a dominant position in their home market before reaching listeners elsewhere.
For Gyakie, this creates an opportunity to use strategic collaborations to keep building her profile in Nigeria while simultaneously strengthening her wider African audience.
For Ajebo Hustlers, working with a Ghanaian artist reinforces their ability to participate in a broader continental music ecosystem.
The Next Stage Is Turning Collaborations Into Careers.
Cross-border collaborations are becoming increasingly common across African music, but the bigger challenge is turning individual songs into sustainable regional careers.
For artists, that means building touring networks, securing playlist exposure, developing stronger distribution strategies and creating more opportunities for fans in different countries to experience their music.
Gyakie’s continued engagement with the Nigerian market suggests that her ambitions extend beyond isolated features.
“365 Days” gives her another opportunity to introduce her sound to Nigerian listeners while giving Ajebo Hustlers an additional connection to Ghana and the wider African audience.
As African music becomes increasingly interconnected, collaborations like this are likely to become an even bigger part of the industry’s growth.
“365 Days” may be one new song, but the larger story is the continued breaking down of borders between Africa’s major music markets. Ghana and Nigeria remain two of the continent’s most influential music centres, and when artists from both sides meet on the same record, the potential audience is no longer defined by geography.


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